Lancelot Followspot ‘Electronic’ Version
The Lancelot’s innovative optical train improves on the power and very long throw capabilities of its smaller counterparts.
Lancelot is now the benchmark fixture for big events and concerts where its innovative technology, outstanding light output and extremely flat beam set new standards for both followspots and automated lighting products. Indeed, Lancelot is not just another very long-throw followspot. An unequalled range of modular accessories, manual or motorised, can be added to make it the most powerful long-throw effects projector ever built.
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Offering a true tunable white from 2200K to 6500K, Dalis 862 footlight incorporates 48 patented asymmetric reflectors arranged in a double row. Each row can be controlled independently offering long or short throw capacities and creating upstage or downstage lighting. Set at the edge of the stage and not visible to the audience, Dalis 862 provides quality white light on performers from the front to the back of the stage. Each unit also integrates red and blue coloured position lights independently controlled, acting as a signal for the performers and also marking the edge of the stage. Features: • True tunable white: From very warm (2200K) to daylight (6500K) to match every skin tones and moods on stage • 4 red and blue coloured position lights: Individual control of each light acting as a signal and marking safely the edge of the stage without disturbing the audience • Strobe: Independent control of speed and duration • Universal data control: Compatible with DMX, RDM, Art-Net, sACN protocols • Easy setup: Locally by keypad and remotely by RDM or TCP/IP – integrated display • 16-bit control: Independent and precision dimming on both warm and cool whites • Control of up to 4 groups: Precision lighting by separating the unit into 2 or 4 sections to target defined areas on stage • Dimming parameters: Adjustable curves and response time for fast or slow dimming (tungsten-like simulation) • Adjustable feet: Can be installed directly on the floor; simple retractable foot mechanism to aid floor focusing Read more -
Sully 1156 is the perfect introduction to Robert Juliat LED followspots for discerning schools, amateur dramatics and smaller venues. Its optical excellence, ultra compact dimensions and low power consumption make it a reliable and easy to use luminaire. Sully features a high-quality 115 W cool white LED source that delivers a first-class white light and an output that exceeds a 2500 W tungsten luminaire equipped with CTB filter. Controlled both locally and remotely by DMX, this little followspot is definitely accessible to beginners as well as skilled operators. Features: • Fully closing iris: removable for fast, easy replacement • Universal gobo holder: “A” size glass and metal gobo • Local control: light intensity adjustment through built-in potentiometer • Internal glass filter holder: long term use of durable coloured,dichroic or textured glass • Colour changer: 6-way, ‘push/pull’ colour changer system for simultaneous use of multiple filters • Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol • Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols • Remote setup: all parameters can be adjusted by RDM protocol or by web interface • PWM adjustment: choice of different PWM dimming frequencies – continuous mode available • DMX: 8 or 16 bit dimming and strobe function • Dimming parameters: choice of square or linear dimming curves • Easy focus reference: graduated scale on side of the unit; fast and easy refocusing Read more -
The Sully 654SX is a 16° to 35° variable zoom profile range featuring a high-quality 115 W cool white LED source that delivers a first-class white light and an output that exceeds a 2500 W tungsten luminaire equipped with CTB filter.Combining this new LED engine with the proven optics of the renowned 600SX Series, Sully profile offers accurate framing and superb gobo projection. The LED compartment of the Sully profile can be swapped with those of the 600SX Series (as well as with those of Aledin 630SX or Quincy 420SX Series). It is equally happy on stage, overhead, on side booms or prosceniums, in opera houses, theatres and studios, where “daylight” rendering is required. Features: • Multi-function double gate: simultaneous use of gobos and iris. Sharp focus of both gobo and shutter • Shutter gate: up to 8 shutters. Remove shutters for easy maintenance or tuck fully inside gate for secure transport • User-friendly shutter-lock system: secures shutters’ setting in any circumstances (locking efficient up to 4 shutters) • Universal gobo holder: “A” size glass and metal gobo • Lens tube lock feature: secures rotating lens tube against unwanted movement • 90° rotating lens tube / gate / front accessories holder: rotation of the projected image is always possible – no need to move the yoke • Internal glass filter holder: long term use of durable coloured, dichroic or textured glass • Adjustable response time: choice of fast or slow dimming for tungsten-like simulation – adjustment by DMX protocol • Universal data control: compatible with DMX, RDM, Art-Net, sACN protocols • Remote setup: all parameters can be adjusted by RDM protocol or by web interface • PWM adjustment: choice of different PWM dimming frequencies – continuous mode available • DMX: 8 or 16 bit dimming and strobe function • Dimming parameters: choice of square or linear dimming curves • Easy focus reference: graduated scale on side of the unit; fast and easy refocusing • Tilt reference on hanging yoke: index for rapid re-positioning Read more
