Toyota Car Launch

Ziggy Ziegler lit a Toyota car launch in the Hunter Valley for GPJ Australia using a large Chameleon Touring Systems rig that included Claypaky Mythos, Sharpys and A.leda B-EYES, Martin Professional MAC Quantum Wash, MAC Aura XB, RUSH MH7, MAC 250 Entours, MAC Aura, MAC Viper Performance, and Ayrton MagicBlade-FX. Control was an MA Lighting…

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Redlands Senior School

Earlier in the year the dimmer in Sydney’s Redlands Senior School hall decided to give up the ghost. Instead of replacing it, the sensible option of completely replacing their ageing Par64 rig was chosen. The hall is primarily used for assemblies and official functions but is also occasionally used for small performance evenings so fixtures…

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Dark Mofo 2018

Dark Mofo is an extremely busy time for Tasmania’s Alive Technologies Group and one of the sites they looked after this year was the cavernous MAC2 Cruise Terminal which hosted many headlining acts. Australian psychedelic dance band Jagwar Ma was one of those acts and their lighting designer, James Warrier, requested vertical trusses with beams…

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Glow 2018

As Vivid 2018 wrapped up for another year, Abbotsleigh College hosted Glow 2018 which was open to the public. Entertainment included a display of artworks created by students, performances by the College’s bands and stalls selling food with all money raised donated to charity. All outdoor sites supplied by Switch it on were designed and…

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Robert Juliat put Isaac Theatre Royal in the spotlight

Robert Juliat put Isaac Theatre Royal in the spotlight Christchurch’s Isaac Theatre Royal now houses three Robert Juliat Super Korrigan followspots, thanks to Hang Up Entertainment New Zealand, and Technical Manager Matthias Mard couldn’t be happier! The award winning Super Korrigan offer a light output which outperforms Xenon followspots of higher wattage, along with the…

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Ayrton Adds Architecture to Appelt’s EUROVISION SPLENDOUR

Ayrton is extremely proud that lighting designer, Jerry Appelt, chose more than 700 Ayrton fixtures for his stellar design at this year’s Eurovision Song Contest. Appelt chose not to incorporate any video element in the show, instead returning to a lighting-based design in which Ayrton fixtures were a key creative feature adding depth, architecture and…

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